Plan-It Hennepin: Creating Cultural Connections in Downtown Minneapolis

Imagine a re-energized and refreshed Hennepin Avenue as a walkable and unified cultural corridor stretching from the Minneapolis Sculpture Garden to the Mississippi Riverfront. We are working with our partners Walker Art CenterArtspace and the City of Minneapolis to gather input and ideas to plan the re-invention of Minneapolis’ oldest street.

Former Trust PR Intern Lucas Erickson shares his experience as a part of the re-visioning, re-imagining Plan-It process.

What do a policeman, a church pastor, a light rail rider and an Orpheum Theatre staff member have in common?  Hennepin Avenue.

Four months ago I started working at Hennepin Theatre Trust as a public relations intern. I grew up in the Twin Cities and have always had a strong connection to downtown, and more importantly, theatre.

I have since moved on to a different, more focused project headed by three local arts organizations — Hennepin Theatre Trust, Walker Art Center and Artspace– that all share the same vision of revitalizing Hennepin Avenue into an arts-inspired cultural corridor.

Imagine that. Hennepin Avenue, from the Minneapolis Sculpture Garden at the Walker, past Loring Park, threading through our amazing theatre district to the banks of the Mighty Mississippi. And all united by various forms of art venues and expression. This arts corridor would have the potential to be an approximately mile long neighborhood full of arts activities and attractions for visitors and residents alike that just might make us the envy of other urban areas our size.

To kick off this major city-arts collaborative effort, students at Intermedia Arts are on the streets collecting video profiles from those who live or work on Hennepin Avenue.

Questions being asked include “What is your relationship to the avenue?” “How would you describe the ‘vibe’ or character of Hennepin Avenue?” “What changes would you like to see made?”

Responses have highlighted many different ideas, memories and experiences. The videos will be part of the research behind the urban planning and are also available online.

Teens involved with the Walker Teen Arts Council (WACTAC) and young people working with Kulture Klub Collaborative, as well as students at FAIR School Downtown, have also been exploring the avenue, taking pictures, writing stories and creating spoken word tomes and original music about their experiences on Hennepin Avenue. Other youth groups and schools, including Hennepin Theatre Trust’s own Critical View Program, are also getting involved in thinking about both the past and the future of the Avenue.

Being a part of this very forward-thinking project makes me realize that I was right all along about my hometown– it’s a great place to live for those of us who love the creative arts and know how much they can add to our experience.

I invite you to follow along and contribute as we continue to roll this out! Like Plan-It Hennepin on Facebook, visit our website to share your thoughts on the future of Minneapolis’s oldest street, view historical photos and read feature articles about this project and more!

Oh, We Just Can’t Wait…To Tell You About Kids’ Night!

What do you get when you combine paper, scissors, glue and 200 kids? No, not a mess. In fact, quite far from it.

On January 31, approximately 200 kids ages 4-10 and their parents were treated to a special evening as we presented our annual Kids Night in the ballroom of the Marriott Hotel in downtown Minneapolis. This free event prior to Tuesday’s performance of Disney’s The Lion King, at the Orpheum Theatre through February 12, provided families an opportunity to participate in an African mask workshop whether or not they had tickets to that night’s show.

We partnered with In the Heart of the Beast Puppet and Mask Theatre to present a 90-minute workshop on traditional African masks and mask making, followed by the chance for little hands to come up with their own colorful creations. Led by Community Engagement Manager Stacy Lee King and Associate Artist Laurie Witzkowski, the team from In the Heart of the Beast shared the connections between traditional African masks and the current touring production of The Lion King. For example, it is tradition for masks to be worn on top of the head (much how they are worn in the show), and when worn to cover the face the wearer is looked at as a medium for the spirit and loses his or her identity. If you are going to see The Lion King, take note of the moments that characters in the show have their masks fully covering their faces versus the times when we see more of the actor.

Trust Controller Kjirsten Johnson took off her work mask and put on her Mom mask to bring her kids to the event and said, “My kids LOVED the mask making workshop last night. They both wore their masks to school today and Liam even brought his Lion King CD to school.”

Previous Kids Nights have included events with Shrek the Musical, Annie, Disney’s High School Musical, Disney’s and Cameron Mackintosh’s Mary Poppins and the World Premiere of The 101 Dalmatians Musical. Thank you to our partners from the Marriott Hotel and In the Heart of the Beast Puppet and Mask Theatre for their support of this popular event. Check out our photo album to get an inside look at what kids created or join our weekly email list to be notified of future Kids Night events.

HELLO. We would like to share with you the most amazing season!

Psst…can you keep a secret? Well, we couldn’t- which is why we’re announcing our next Broadway Season early this year! Two of the hottest shows in years, The Book of Mormon and War Horse, are coming to the Orpheum Theatre as part of our 2012/13 Broadway Season. This new season features five Minnesota debuts including Catch Me If You Can, Priscilla Queen of the Desert and Flashdance. Running from October 2012 to June 2013, this unparalleled lineup brings the best of Broadway to Hennepin Avenue. Check out the full season schedule – below.

We know what you’re thinking…

“How the heck can I get tickets to War Horse and Mormon?!”

Starting today at 6pm (Jan 26, 2012), tickets to the most AMAZING season are on sale in three ways: as part of a Broadway Season Package, to Trust Donors and through Group Sales.

“But wait, when will single tickets go on sale to the public?!”

Our 12/13 Broadway shows have not announced when single tickets will be on sale to the general public. The best way to guarantee that you get tickets is to buy in advance as a Trust Donor, Season Subscriber or Group. To be notified of public on sale dates and receive special pre-sale codes for all of the shows on our Broadway Season, sign up for our Weekly Newsletter.

2012-2013 Minneapolis Broadway Season

Disney’s Beauty and the Beast

October 16-21, 2012
“Be our guest” for the returning family favorite that had its national tour debut at the Orpheum Theatre in 1995.

Catch Me If You Can

December 11-16, 2012
He was a pilot. A doctor. And a lawyer. Did we mention he was a teenager? And a charming one at that!

Priscilla Queen of the Desert

January 8-13, 2013
Because you haven’t lived until you’ve seen “I Will Survive” performed by men wearing brightly colored spandex.

The Book of Mormon

February 5-17, 2013
“South Park” creators meet Avenue Q co-creator and birthed the most irreverent show in Broadway history.

Flashdance

April 2-7, 2013
Inspiring a whole new generation of women since 1983. Bring on the leggings, headbands and legwarmers!

SEASON SPECIAL: Disney’s Mary Poppins

April 23-28, 2013
It’s supercalifragilisticexpialidocious.

War Horse

June 12-23, 2013
Do you know how the Tony Award-winning Handspring Puppet Company created astonishing life-sized puppets to bring horses to life on stage? Neither do we, but we’re going to find out!

Be sure to let us know if you have questions about Season Ticket Packages or any of these exciting shows and we look forward to seeing you at the Orpheum Theatre.

Bringing Broadway to Your Backyard

SpotLight student Celena Morgan with Les Miserables cast member Natalie Weiss

Fun Fact: La Cage Aux Folles, Les Misérables and Disney’s The Lion King have all featured at least one performer who has at some point in their life called Minnesota “home”.

Fun Fact Bonus: In December, Hennepin Theatre Trust welcomed another Minnesota native, Broadway actress/vocalist and SpotLight Spokesperson Linda Eder, who performed at the Pantages Theatre.

For the roughly 150 SpotLight students who have had the chance to interact with these performers, it means an opportunity to meet and learn from people who started right where they did, making that dream of performing an in-your-face reality.

This year the Trust’s SpotLight Musical Theatre Program is pleased to offer nearly 5,000 students from 56 schools around Minnesota the chance to work with Tony nominees, Broadway veterans and touring cast members through interactive workshops. Each workshop offers students a different perspective, with classes ranging from stage combat to character development. In December, over 50 SpotLight students joined Les Misérables cast members Ben Gunderson (a graduate of Moorhead High School) and Natalie Weiss for a dual Broadway workshop.

Gunderson kicked off the afternoon with an introduction to stage combat class. Rebecca Meyer-Larson, the current Moorhead High School Theatre Director who also taught Gunderson, had the opportunity to watch her former and current worlds collide.  “It was a thrill to watch him interact with young artists from around the state. I was especially wowed at what a great teacher he has become. His stage combat master class was informative and fun.”

Following Gunderson’s workshop, five students were given a vocal master class taught by Weiss while the other students observed. At the workshop, Celena Morgan, a senior at the St. Paul Conservatory for the Performing Arts, a first-year SpotLight school, commented “I’m very excited! I’ve been wanting to do this since my freshman year and I am so grateful for the opportunity to be the SpotLight liaison for SPCPA.”

Working with Weiss was a “dream come true” for Morgan. “With Natalie, I was able to improve my acting choices. It was good to have an outside source helping me beside my teachers at school.”

Both Weiss and Gunderson conducted a Q&A session with the students following their workshops, imparting advice about their own careers and life as “swings” on the road with Les Mis.

“We each have our own system for taking notes to learn our tracks. I have note cards. It’s really a matter of developing your observation skills. And also combatting your perfectionist personality because if you’re going to go out on stage completely unrehearsed with 30 other people, you’re going to make a few mistakes. But we all get over it and we all learn from it,” said Gunderson.  Meyer-Larson especially admired her former student’s final words of advice.  “I especially appreciated his advice to young performers- ‘Love yourself’,” said Meyer-Larson. “Ben wants to reach out to young artists, share his story and encourage them to write their own.”

Check out the video below with Gunderson, Weiss and Morgan in action and view highlights from the Les Misérables workshop!

Stay tuned for more videos of upcoming workshops with cast members from Lion King, American Idiot, Million Dollar Quartet, Mamma Mia and Blue Man Group. You can also visit Hennepin Theatre Trust’s YouTube page to check out highlight videos from workshops with other Minnesota superstars including two-time Tony nominee and St. Paul native Christopher Sieber, seen recently in La Cage Aux Folles at the State Theatre. To learn more about the SpotLight Musical Theatre Program, please visit our website.

Don’t Let Phony Tickets Happen to You

I admit it. I’m a Googler. When hunting for information, I have a tendency to type a few words into a search engine and see what pops up. While the Internet offers a plethora of knowledge, some of that is useful but much of it is not. The popularity of Disney’s The Lion King, returning to Hennepin Theatre Trust’s Orpheum Theatre January 11-February 12, again raises the issue of ticket scalping.

As a service to you, the Trust strongly advises to only purchase tickets through authorized agents, which are:

HennepinTheatreTrust.org
Ticketmaster.com and the Ticketmaster Artsline at 1.800.982.2787
The State Theatre Box Office

We do not recommend that you buy or sell tickets through a third party. Why? Tickets bought from secondary sources can be invalid, marked up to astronomical prices, mislabeled regarding seat views or even sold for performances that don’t exist or are cancelled or re-scheduled. If you buy from unauthorized sources, you are not protected from these unexpected occurrences. One patron unknowingly purchased three limited view tickets to Wicked for $459. The actual price of the tickets was $186 due to the obstructed view, which they were not warned about when they purchased at more than twice the face value from a scalper.

If you find that you can’t use your tickets, consider giving them as a gift or donate them to Hennepin Theatre Trust and we’ll use them for our Access Program. You will be supporting this program which helps underserved members of our community experience theatre, plus you’ll also receive a tax deduction for the full price of the tickets.

I encourage you to join the conversation- what is your advice for ensuring you’re visiting and buying from legitimate websites on the Internet?

Q & A: Nicole Fenstad, local actress and star of Girls Only: The Secret Comedy of Women

Diaries. Valentines. And yes, shadow puppets. Girls Only: The Secret Comedy of Women is returning to Minneapolis by popular demand to play Hennepin Theatre Trust’s New Century Theatre beginning Wednesday, January 18. Part sketch comedy, part purse raiding improvisation (you’ll have to check out the show to know what we mean by that), this evening of hilarity celebrates the fairer sex in a unique examination of all things girly. Local actress Nicole Fenstad, one of the stars of the show, chatted with us about what makes Girls Only such a hit.

Girls Only: The Secret Comedy of Women

Q. So this is your second year as part of the Girls Only cast – and Hennepin Theatre Trust is bringing it back because it’s so popular – why do you think it has such an appeal to audiences?

Because every woman can relate to at least one universal “girl” theme in it.  Whether you kept a diary, or memory box, or you’ve been through puberty or menopause.  We all share in this secret comedy of womanhood.  It’s about finding the funny in being a woman and celebrating who we are through laughter.  I would say the number one thing that I hear women say is, “Thank you for tonight, I haven’t laughed this hard in a long time.”  And to me, that is such a gift that Melanie and I get to give the audience.  It is truly one of my absolute favorite shows that I have ever done and that is because it is like giving people laughter as medicine.  How awesome is that?

Q. Even though it was written by the two “original girls” based on stories from their girlhood diaries, what have you done to make it your own show?

I think one of the brilliant and beautiful things about this show is that it wasn’t written for us to play the characters just like the writers.  In the show we are just us.  We never feel like we are playing Barbara Gehring or Linda Klein. Melanie and I call each other by our names so we are not trying to be someone that we are not.  So even though the script isn’t exactly about our lives, I can certainly relate to the same experience of feeling like a dork in school or having a bad hair day.  I went through all of that too, so the more I am comfortable just being me up there, the more that audience gets the truthfulness of Girls Only.

Q. When you do the improvisation part – what is one of the most funny stories/experiences that have come out of it?

So without giving anything away, I will just say, there is section of the show where we do an improvisation based on an item from the audience.  We never plan it, we just go with the flow.  One time an audience member had a flask with her and it caught us completely off guard and we just went with the improv and the audience had a hay day.  I did actually taste it and it was indeed some raspberry vodka.  The thing that we are always very conscious of is to never embarrass anyone in the audience.  This show is not like that at all.  We celebrate and honor women and that is a big mantra for us.

Q. Last year, the show ran in Hennepin Stages (now Brave New Workshop). This year, it will be in the New Century Theatre in City Center that just opened in September. Are you looking forward to doing it in a different/new space? How do you think it might change or affect the show – or audience?

The space is beautiful!  If you are not familiar with where it is, it’s located inside City Center.  If you walk in where Marshalls is off Nicollet Avenue and go straight, it will be on your left.  It is a brand new space and it’s a little bit bigger but it will generally be set up the same with tables and chairs, so that women may have cocktails with their friends.  It’s still very intimate which is great for this show, as it’s set up like everyone is coming into our bedroom for a big pink slumber party!  This theatre has a little bit more symmetry as compared to the shape of this last stage so I think it’s only going to be better.

Q.  So it’s a show that appeals mostly to women but there are a few enlightened men who attend – what should they be prepared to experience and why would they like it?

So yes, it is definitely a show that appeals mostly to women.  And I will tell you that when the audience is entirely women there is a certain camaraderie among all of us that is truly special.  I think women feel like they can really let down their hair and just unabashedly laugh and enjoy the show.  With that being said, men are certainly welcome to come to the show and we have had brave men come on out with their wives or girlfriends and I think that is awesome.  I am very proud to say that this show is not about male bashing.  We may poke light fun at men, but it’s never in a mean or malicious way.  The writers are very respectful.   In some ways, I feel like all men should see it, because it truly gives them a window to see their wife or girlfriend through and they will definitely learn something along the way.

Thanks to Nicole Fenstad for participating in our Q&A. Girls Only: The Secret Comedy of Women runs January 18-March 18 at the New Century Theatre. For tickets or show information, please visit our website.

The STAGE DOOR is OPEN

Hennepin Theatre Trust is throwing open the STAGE DOOR to kick off the New Year. And we invite you to walk on through.

Stage Door: Behind the Scenes will be a real, yes virtually real, door for you to enter and discover an exclusive backstage glimpse at our Broadway engagements, concerts and other productions.

Here we’ll offer insider perspectives, behind the scenes tidbits about shows we present, valuable advance information about upcoming educational initiatives, personal interaction with Broadway cast, keys to resources to enhance your in-theatre experience and profiles of interesting theatre folk. Not to mention occasional ticket giveaways and special opportunities for the alert reader!

What better way for you to find out what makes the Trust tick than by peeling back the curtain. Let’s explore the heart of stage magic together.